The Heart of Atualon

Gold Standard

As a new writer, still in my original packaging and waiting to be put out on the shelves for people to buy (or not), I am at a weird and enviable stage in my career. Weird, because while I’ve sold a book (or three) my work has yet to be made public, so I’m still Nobody. Enviable, because I’ve successfully leapt the hurdles FINISH THE BOOK, GET AN AGENT and SELL THE BOOK, so I’m kinda Somebody, as well. Enough of a Somebody that I find myself fielding the “how-did-you” questions, enough of a Nobody that I’m easily approachable and still have a few minutes’ free time to spare for giving advice of dubious merit.

One question that is often asked but difficult to articulate, even for writers–perhaps especially for writers, and I imagine other artists as well–is: “How did you DO it?”

Q: “What is the meaning of Life, the Universe, and Everything?”

A: (That one’s easy): 42.

Q: “How did you DO it?”

A: That one’s a bit more difficult…

“How did you DO it?” You ask. Do you mean ‘How did you get an agent’,  or ‘How did you choose a point of view’, or ‘How did you get past editing Chapter One till you’d worn the letters off your keyboard and gave up to go play mini golf’?

All of those and more, of course.

“What writing tools do you use? What is your revision process? How did you decide on POV characters?” The aspiring author sees that first impossible hurdle–FINISH THE BOOK–and asks, “How did you DO it?” When she is really asking, “Can I do it?”

The answer she fears, echoing deep in the dank and slimy pit of her soul, is “No, you can’t.”

That was the answer I always got, anyway. And then my demon would laugh as I shut down Word and logged onto Facebook instead. Because that bitch wants nothing more than for you to give up, so that she may remain in the shadows and nibble at the edges of your soul without interruption.

So, what changed? How did I go from someone who desperately longed to be an author to someone who has written THE BOOK and shepherded it all the way to a sale? How did I elude the ubiquitous lack of self-confidence that hunts artists and eats them for breakfast?

How did I do it? Was it Scrivener? A workshop? A critique group?

Did I sacrifice a goat???

Nope. No goats were harmed in the creation of this book.

I found a superhero, someone who believed in me and my work, someone who cheered me on and freaked out in a good way with every new chapter and wheedled and cajoled and kicked my ass every step of the journey. Someone who believed in me even though I never did. I found my #1 fan.

The Author and her #1 Fan

The Author and her #1 Fan

If you are an artist of any color, the world is going to judge you and find you unworthy. It is likely you will judge yourself unworthy; I know I did. But if you have one person lighting a candle in the darkness for you, one person who hangs your painting on the wall or taps her foot in time to your singing or stays up till two in the morning reading your latest chapter and then threatens to break your arm if their favorite character stays dead…

That’s the good stuff, man. That’s the gold standard.

This one’s for you, Kristine. I couldn’t have done it without you.

I'm writing as fast as I can!

I’m writing as fast as I can!

At a recent visit to the insane asylum. We fit right in.

At a recent visit to the insane asylum. We fit right in.

Is there a book in you?

Many of the people I know, or meet, are aspiring writers. A lot of them are working on their book, or thinking about it, or dreaming about it, or cleaning house in a desperate attempt to avoid THE BOOK. Seriously, everyone I meet seems to think they have a book in them. And some of them really do:

Do you have a book in you? This guy did!

Do you have a book in you? This guy did!

When these folks find out that I found the holy grail signed with a literary agent–and not just any literary agent, mind you, but a SFF rock star–I am immediately inundated with questions. Which I do not mind at all; I’m so new to this game that my first book (sold by said rock star agent) won’t be released till next year. A very short while ago, I was one of those round-eyed aspiring writers. I’d drive down the road practicing my “Yes, I would be delighted to have you represent my book” phone conversation.

It was a good thing I did that, by the way; when I first spoke to my agent by phone, I was calm and professional. The moment I hung up, however, I lost my shit. Seriously, I called my first reader to tell her the news and she didn’t even recognize my voice.

Most of the questions I hear are along the lines of:

Question #1:  “Are you rich yet?”

Question #2:  “How do I get an agent and sell my book?”

Answer #1:  Hahahahahahahahahahahahahaaaaaa *gasp* hahahahahahahahaaaa. snort. giggle. heh. Nope. I’m pleased with the advance I received from Titan Books; it was enough to replace the clutch in my old car, replace the appliances that quit working because I had money coming in, pay some bills, and buy a bottle of good whiskey. Median advances for a debut fantasy novel are in the $7k range, folks; that’s not going to buy a castle in Scotland. But it does show that my publisher has faith in my book’s potential, which makes me happy, and pays a bit of rent, which makes my landlord happy.

Answer #2:  Have you finished writing your book? I know, because I’ve been you, that this is not the non-answer you really want to hear. And you’re not alone:

‘Some writers enjoy writing, I am told. Not me. I enjoy having written.’

~George R.R. Martin

You want to pick up the phone, describe your awesome story to the world’s greatest agent, who was sitting by the phone hoping you’d call so he could send the gold-plated contract that’s been sitting on his desk forever just waiting for your signature. Oh, and he’s got a dozen Big 5 editors ready to bid against one another for the chance to publish your book in a special gold-plated edition bound in human skin.

I feel your pain, I really do. But that’s not how this works. No agent is going to want to represent that book if it’s still in you, covered in your guts and mucus and DNA goo. You’re going to have to get that bitch out into the fresh air, and clean the slime off so it’s all shiny and pretty. It’s going to hurt, it’s going to drive you crazy, and it’s going to take more effort and commitment and sheer cussedness than you think you can take. I gave birth four times, without drugs, to babies who weighed in at just under ten pounds each. And that was nothing compared to writing my first book.

I didn’t think I could do it.

I did it.

And you can do it, too.

Now, I have some good news for you: writing a book isn’t all talent and inspiration and serendipity. As a matter of fact, if I were to make a pie chart called Writing a Book and demonstrate the percentages of talent/inspiration/dreamy shit versus time spent banging your head on a brick wall, tenacity, tendonitis, and building your skill set as a writer, the happy-skippy-muse stuff would be a smear of whipped cream on the bottom of the pie plate. Talent and inspiration and all that are wonderful if and when you have them, but most of the work of writing a book can be accomplished by SITTING YOUR ASS DOWN AND WRITING. And your writing skills can be acquired, built upon, and honed.

The bad news? Bullshit excuses won’t get your book written, and frankly nobody wants to hear them.

RECAP:

1: If you’re human, there’s a good possibility that you want to write a book.

2: You’re not going to get an agent or sell your book until you write the damn thing.

3: You’re probably not going to get rich selling your book, but what the hell, it’s still awesome.

4: It’s possible for you to write that book you’ve been dreaming of and get it published–or publish it yourself.

5: I don’t want to hear your bullshit excuses for not finishing your book, and neither does anyone else.

For those of you who keep your ass in the chair long enough to get this thing done, I’ll be writing about how I went about finding my rock star agent, and why he agreed to work with me.

Also…as great as you think it might be to finish that book, get an agent, and get published? You’re wrong. It’s so much better than that.

 

Jai tu wai,

 

Debi

Ramblins and ravens

So, the fine folks over at the Grim Tidings podcast invited me to the rambling round table, and we had a delightful chat.

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The Grim Tidings Podcast with Deborah A. Wolf

We talked about the writing process, getting published, controversies in popular fantasy, and weiners.

We talked a lot about weiners.

Thanks for having me over, guys, I had a great time!

Jai tu wai,

Debi

Most Auspicious News

I am delighted to announce the sale of the first three books in my saga, THE DRAGON’S LEGACY, to Titan Books.

Congratulations to Deborah A. Wolf on the new book deal:

Deborah Wolf’s THE DRAGON’S LEGACY (Books 1-3), pitched in the tradition of Guy Gavriel Kay’s THE SARANTINE MOSAIC and the darker folkloric tales of ARABIAN NIGHTS: set in a desert world of sand and honey, the series balances and contrasts the grim with the wondrous, the heartbreaking with the humorous, and takes an unflinching look at real-world issues such as the plight of indigenous peoples in a world mad for power, to Alice Nightingale at Titan, by Mark Gottlieb at Trident Media Group.

Worldbuilding: Geek Love

Sharing a short excerpt from today’s worldbuilding exercise: I’m writing a concise history of Atualon.

The Wyvern’s Rebellion

Solarus ap Serpentus ne Atu, during a visit to the capital city of Khanbul, abducts the young Imperial Princess Zhaolin and installs her as his Consort. Emperor Pu Yet Sin seds his fifteen-year-old son Ghanzhi as an Imperial envoy to Atualon to secure her release or, failing that, demand an Imperial dowry and instatement of Zhaolin as Sa Atu. Ghangi, against his father’s explicit orders, demands his sister’s immediate and unconditional return, but Serpentus laughs in his face and tosses the Imperial Prince into the dungeons of Atukos.

When the Emperor learns of his son’s disobedience he disowns the boy and refuse to pursue the matter further. Imperial Prince Tiachu is named Heir and immediately challenges his father to mortal combat, which he wins. Emperor Tiachu then raises an army and sends it west to Atualon.

The Matreons of Atualon, fearing war, demand that the Imperial Prince and Princess be returned immediately to Sindan, and reparations paid as well.  But Solarus has already defiled the girl and it is reported that the boy prince has taken wetlung and is not expected to live.  The Matreons are divided in their responses to this outrage; some demand that Solarus be stricken from the line of succession, others that he be allowed to succeed his father but required to install the girl as Issa Atu and pay reparations to the new Emperor.  When Serpentus refuses to negotiate with the Matreons, the Matreons return to their Houses and take up the matter with their Patreons.

Several of the Houses issue a Denuntiatio, or formal intent to remove House Serpentus from the throne.  Serpentus declares all titles and lands belonging to the families whose Patreons have signed the Denuntiatio forfeit.  Houses Ursos, Equos, Corvos, and Wyvernos raise the standard of rebellion.

And that’s all I’m going to tell you, for now.

 

Jai tu wai!

Debi

The Forbidden Kingdom

Just a quick note to let you know that if you like THE DRAGON’S LEGACY, you are going to love The Forbidden Kingdom, Book 2 of THE DRAGON’S LEGACY.

Here’s a quick teaser:

Sundered

The wind was born of a Twilight Lord, playing a seashell flute. Webbed fingers strong and sure danced across the smooth shell as they had once danced across the skin of a human girl, delicate and sweet and all things good. That girl was gone, just as the meat was gone from this shell, leaving only the memory of beauty and faint notes in the wind. But the sea was still the same, and the song was still the same, curling round his heart thick and slow as the fog that shrouded the Sorrowful Isles.

Born of sea and sand and the cries of a wounded heart, the wind danced in rage and longing across the Sundered Sea, rousing the waves of Nar Kabdaan to wrath and ruin as they cast themselves, again and again, to die unmourned upon the heartless shores of Bizhan. The waves were born, they struggled, they died, one after another like soldiers caught in a dream of war.

The wind was heavy with salt, and the dreams of sea-witches, and the tears of lost souls. It struck at the jagged rocks, tore at the sharp grasses like a madman tearing at his own hair, it howled at the gates like the voices of a thousand ice wolves buried in fear, forgotten to legend, lost, lost, lost. The howling woke the Halfkin Child, because the song of wolves round a campfire can never truly be forgotten by the children of Man, no matter how deeply they hide it from their thick and stubborn hearts. The Child rose, he slipped from his bed and from his mother’s hearth and stumbled down the rocky path to the sea; and because he, too, could hear the howling of the wolves, could feel them singing in the shadows of his heart, the Twilight Lord put down his flute and swam to the shores of Man. The moons were faded, half-empty and without power, but he had broken so many laws already that one more could hardly matter.

 

Now, kindly leave me alone to write.

Jai tu wai,

Debi

Footloose and Fancy Free

What’s next for this author?  Why, a short story that I intend to submit to the Writers of the Future contest.  Due to the nature of this contest, I will not be able to share any updates or excerpts.  When I am finished with this little gem, however, I will be revising The Road to Min Yaarif and likely sharing that bloody-sweet little story in its entirety.  Stay tuned!

 

Jai tu wai,

 

Debi

The Neverend

I’ve been gone a lot lately.

I had a book to finish, you see…

The End

 

I would like to thank my lovely and talented beta reader, Kristine Alden; without her love and encouragement, I’d still be stuck at .002% and crying into my beer.

I would also like to thank my beloved children, who are still under the illusion that their mother knows what the hell she’s doing.

Jai tu wai, folks…

Sometimes, it Works

Chapter 30 was a pain in my ass.

Since I decided, with excellent help and coaching, to shorten this book by 30 chapters (120k words +/-), I noticed that one of my pov characters ends up with only two chapters in this book. No spare room for a mediocre chapter (not that there’s ever any excuse for a mediocre chapter). I had to turn what was supposed to be a bridge into a shining landscape.

Chapter 30 was a pain in my ass.

Since her character arc was ending so abruptly, I was caught a bit short.  How do I showcase her importance in two scenes? How to leave my audience wanting more of her? Should I just cut her out as a pov character? (Nope, can’t do that, she’s a load-bearing wall in this story). Spent a whole day writing a scene with this character in Atualon, decided that was ‘meh’, spent another day banging my head on the brick wall…and then on Thursday I finished it. It was okay. It was pretty good. I had most of the words in the right order.

Friday morning, on the way into town, it hit me as if that brick wall had fallen on my head. I didn’t have any time to write until that evening–even writers have to pay rent–so I let it percolate in my hindbrain all day long.  Got home and struggled with writing it because it’s an intense scene (edited for spoilers, but it’s killing me not to tell you).

Chapter 30 was a pain in my ass. And it’s the best thing I’ve ever written. I can’t wait to share it with you.

Jai tu wai,

Debi

The Thing About Word Counts

When it comes to word count for an epic fantasy manuscript, people in and around the publishing industry are as bad as giving consistent advice as horse people are at deciding whether you should, or should not, blanket your horse in the winter.

Do a quick web search for word count in epic fantasy, and you will find out that you should not submit a manuscript with a higher word count than 130k, but neither can you submit a manuscript that comes in at under 200k.  This is because it costs more to print, ship, and warehouse books (oh, but my books will never sit in a warehouse, says the bright-eyed writer), but readers don’t want to spend their money on short books.

Which leads me to conclude that it’s not just me: writers all suck at math.

Here’s my take on the One True Answer, bearing in mind that I am probably just full of hot air: it depends on the book.  Yes, that sounds trite, doesn’t it?  But here’s the thing:

Thing_v2_1_coverart

Artwork for the cover of The Thing vol. 3, 1 (Jan, 2006). Art by Andrea Di Vito.

Wait, no, that’s The Thing.

Here’s the other thing: the scope and focus of a book determine how bit it needs to be in order to get stuff all wrapped up and accomplish whatever the author wanted (and promised) to accomplish.  A story that focuses on the immediate experience of a battle, for instance, told from a first person point of view and meant to examine in sharp detail how it felt to be a soldier in that battle, is probably going to require fewer scenes and chapters.  If such a story is dragged out over 150k words, it might feel a bit, as Bilbo would say, like butter scraped across too much bread.  If a story aims to examine a decades-long conflict from the points of view of a dozen characters and incorporate a laundry list of subplots, attempting to squash everything into a 150k manuscript is going to feel, well, squashed. Incomplete.  Either way, you are going to annoy your audience.

Epic Fantasy is supposed to be epic.  It’s got enormous sweeping scope, outrageously awesome characters, Threats to Life as We Know It, and Phenomenal Cosmic Powers.  The mountains are bigger, the rivers are bigger, the swords are bigger, and the heroes…well, you get the idea.  So it’s no big surprise, pun intended, that a manuscript for really epic Epic Fantasy might double as a weapon in the wrong hands.

Brian G. Turner http://www.sffchronicles.co.uk/forum/539481-epic-fantasy-word-counts.html compiled an interesting list of word counts in Epic Fantasy series:

Lord of the Rings – J. R. R. Tolkien
The Fellowship of the Ring: 187k
The Two Towers: 155k
The Return of the King: 131k

Wheel of Time – Robert Jordan
The Eye of the World: 305k
The Great Hunt: 267k
The Dragon Reborn: 251k
The Shadow Rising: 393k
The Fires of Heaven: 354k
Lord of Chaos: 389k
A Crown of Swords: 295k
The Path of Daggers: 226k
Winter’s Heart: 238k
Crossroads of Twilight: 271k
Knife of Dreams: 315k


Gentleman Bastards – Scott Lynch

The Lies of Locke Lamora: 190k
Red Seas under Red Skies: 200k

Joe Abercrombie – First Law (& standalones)
The Blade Itself: 191.2k
Before They Are Hanged: 198.3k
Last Argument of Kings: 234.1k
Best Served Cold: 227.7k
The Heroes: 203.4k
Red Country: 172.1k

Stormlight Archives – Brandon Sanderson
The Way of Kings: 387k

A Song of Ice And Fire – George R. R. Martin
A Game of Thrones: 284k
A Clash of kings: 326k
A Storm of Swords: 404k
A Feast for Crows: 300k

Malazan Book of the Fallen – Steven Erikson
Gardens of the Moon: 209k
Deadhouse Gates: 272k
Memories of Ice: 358k
House of Chains: 306k
Midnight Tides: 270k
The Bonehunters: 365k
Reaper’s Gale: 386k
Toll the Hounds: 392k
Dust of Dreams: 382k
The Crippled God: 385k

Demon Trilogy – Peter V Brett
The Painted Man – 158,000
The Demon Spear – 240,000

King Killer Chronicles – Patrick Rothfuss
Name of the Wind – 259,000
Wise Man’s Fear – 399,000.

Night Angel trilogy – Brent Weeks
Way of Shadows: 156k

Prince of Nothing Trilogy – R. Scott Bakker 

The Darkness that Comes Before: 175k
The Warrior-Prophet: 205k
The Thousandfold Thought: 139k

A Land Fit for Heroes(?) – Richard Morgan
The Steel Remains: 146k
The Cool Commands: 171k

The Chronicles of Thomas Covenant, the Unbeliever – Stephen R. Donaldson
The First Chronicles
Lord Foul’s Bane: 165k
The Illearth War: 180k
The Power That Preserves: 168k

The Wars of Light and Shadow – Janny Wurts
Curse of the Mistwraith: 233k
Ships of Merior: 206k
Warhost of Vastmark: 156k
Fugitive Prince: 220k
Grand Conspiracy: 235k
Peril’s Gate: 300k
Traitor’s Knot: 220k
Stormed Fortress: 248k
Initiate’s Trial: 250k

 

I understand the hesitation of an agent or editor when faced with 250k words in a debut novel, really I do.  I mean, how do they even know those words are all in the right order?  I began writing The Heart of Atualon (Book 1 of the Sleeping Dragon) with every intention of turning out a quick, fun, reasonable sword-and-sorcery-in-the-desert story.  But once I began examining the world I was in and the stories that were cropping up all around Sulema and me, I wanted to tell those stories, too.  I wanted to examine the same set of events from different characters’ points of view, and explain that what was good for the Aturan might not be good for the Quarabalese, and so forth.  I loved the tightly focused story I had, but I came to want more.  And more.

So, yes, I understand that a manuscript as big as mine will face gatekeepers and challenges, and I am fully aware that debut writers never, never (well, hardly ever) have agents and editors sitting idly behind their epic mahogany desks just waiting for that giant beast of a doorstopper to be finished.  It probably would have been easier for me to sell The Song of Sulema at 120k words than it will be for me to sell The Heart of Atualon at 200k words.  Because debut writers just don’t do that.  It is known.

As my Arabic instructor used to say, “It is always, always, always this way.  Except when it is not.”

I have decided to write the book I want to write, tell the stories I want to tell, whether the math works out in my favor or not.  I am hoping that my readers are just as bad at doing the math as I am, that they enjoy reading about my characters as much as I enjoy writing about them, and that being transported to my world brings them joy and that weird glazed-eye look we all get when we’re geeking out over talking beasts or awesome weapons.

I have made some changes to my game plan, on the off chance that it is a good idea to follow sound advice: I have cut the last thirty chapters of The Heart of Atualon (roughly 111,000 words) and will be using those chapters in Heart of the Forbidden City, Book 2 of the Sleeping Dragon.

I’m about to pass the 106k mark, and according to my outline I’m 62% finished with The Heart of Atualon.  I’m going to go write my way up Everest now; see you on the other side.

 

Jai tu wai!

Debi