Tag: Pat Rothfuss

Ramblins and ravens

So, the fine folks over at the Grim Tidings podcast invited me to the rambling round table, and we had a delightful chat.

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The Grim Tidings Podcast with Deborah A. Wolf

We talked about the writing process, getting published, controversies in popular fantasy, and weiners.

We talked a lot about weiners.

Thanks for having me over, guys, I had a great time!

Jai tu wai,

Debi

Do you want to sell your book?

…or are you thinking about the next ten years?

I ran across this question while reading comments made by Elizabeth Weed of Weed Literary LLC http://weedliterary.com/ regarding the role of a literary agent in shaping an author’s career:

http://writerunboxed.com/2014/04/13/an-agents-role-in-shaping-an-authors-career-and-the-second-book/#comments

This is an excellent question, and one I’ve spent a lot of time thinking about.

…you know, when I’m not raising kids, working full time, working on my Masters’ thesis, or finishing up my 180,000 +/- word count beast of a doorstopper manuscript.

So, do I want to sell my book, or am I thinking about the next ten years?

I don’t want to just sell one book; I don’t even just want to sell one series of books. I am definitely looking forward to a long term career as a professional liar writer.

To that end, I am constantly looking to improve my writing and storytelling skills, looking for ways to make my story deeper, better, more resonant. I study books I love and books I hate. I study movies, and music, and the works of visual artists. Always searching for that bit of brilliance I might take home and use to make my own bower that much brighter.

I’m finishing up my first book and already have a rough outline for the second; I move back and forth between them, tightening and improving story lines, and searching for new ways I might make my readers cringe, or cheer, or cry. I want Pat Rothfuss to curse my name because I made him stay up till three in the morning reading my book. I want Neil Gaiman to read one of my stories and say, “Damn, I wish I’d written that.”

It’s very hard work. But I don’t just want to be a writer…I want to write.

Jai tu wai,

Debi

Worldbuilding in Fantasy: Hunting Mad Honey

First, a disclaimer: I am pretty much full of hot air, so take everything I say here with a grain of salt.  I am, after all, aspiring to be a professional liar.

I would like to examine worldbuilding, because this is a topic that a lot of readers and writers of fantasy find fascinating, and because it’s something I enjoy.  By ‘enjoy’ I really mean ‘obsess over as only a geek can’.  Visiting other writers’ new worlds and midwifing my own from the nether-goo…oh yeah, baby, that’s the stuff.  That’s the magic powder and I can’t get enough of it.

So here I am, a green belt at best, pontificating on how to build worlds for your fantasy writing.  Again, hot air.  I’m not going to tell you how to build a world, or even (in much detail) how I build my world. I’ve been working on Atualon and the surrounding countries for quite some time now, and it’s been more an off-the-beaten-path meander than a forced march with guaranteed conquest at journey’s end.

And that’s why I’m not going to tell you how to build a world.

…Wait, what?…

There are a fucktillion other articles and books out there about worldbuilding, and particularly about worldbuilding for fantasy.  Brent Weeks has done it, Nnedi Okorafor has discussed her worldbuilding in interviews, and so has Pat Rothfuss.  Brandon Sanderson, praise his generous heart, has myriad tutorials on the web that address the issue.  I’m not going to include links, because if you wander around the internet looking for this kind of stuff you are likely to find something even cooler and more useful, and who am I to hamper your destiny?  Besides…if you’re reading this, you probably have access to a search engine, and if you’re too lazy to do your own research I can’t help you.

These fine folks, who are all more experienced than and perhaps not as full of hot air as I am, will tell you to figure out coinage systems and architecture, flora and fauna, religious and magic systems…yes.  Do that.  It’s interesting, it’s cool, it’s necessary.

…But wait, there’s more…

Brandon Sanderson, in a recent interview (this is me still not providing links) mentioned that he does not think writers have yet scratched the surface of epic fantasy.  I hollered “YES!” and startled my dog.  Because there’s more.

Now, I love a big stone castle as much as anyone, rabbit stew after a long day’s ride, and good old-fashioned wizards with their pet crows (or owls).  I can watch the Rohirrim ride downhill and smash into the enemy forces three times a day and never get tired of it.  And who doesn’t love a folded-steel broadsword?  Especially if it’s got a name?  That’s all good stuff.  Arthurian legend from a new point of view?  Yes please, and a side order of Fae magic to go.

But there is so much more to our world and our world’s history than the Lady of the Lake and brooding castles made of stone, there are more stories than the rise of Christianity and the fall of Rome.  Werewolves and zombies and vampires?  Yes!  But what else have you got for me?

In building my world, I wanted something different.  Not necessarily more, or better, just…a different flavor.  Squid curry instead of rabbit stew.  Tournaments that are more closely related to World Wrestling Federation cinema than to the gladiator pit.  Matriarchy in the desert…and humans that are not within reach of the top of the food chain. Pemmican.  Potlatch.  Naked people stranded in olive trees.

Inspiration for worldbuilding is everywhere.  I could spend (have spent) entire days watching BBC and National Geographic specials on everything from super volcanos to clouded leopards to radioactive wolves and hallucinogenic honey.

Okay, I’m actually going to share a link for this last, because these Nepalese honey hunters could give our Navy SEALs a run for their money, in sheer what-the-fuck-dude-machismo.  Seriously:

https://www.youtube.com/watch?v=Y_b2i_FvYPw

Read about the Black Death: how it spread, how it affected whole societies, how it altered the course of history.  Read about portable blacksmith forges used during America’s civil war, farming with water buffalo, the growth cycle of a bamboo forest.  Types of coins used by humans, medicinal plants, implements of torture.  Imagine using a trebuchet to fling a rotting cow’s carcass into a city you’ve besieged.  You know you want to do it.  Because flinging a rotting cow into the enemy’s town square.

Okay, one more link: The French Knight’s Guide to Trebuchets.

http://thisiskira.com/portfolio/trebuchet-tech-illustration/

And go as far off the beaten path as you can go…venture into South America, into Italian tombs and Indian temples.  Please, take the journey, and create new worlds of wonder and brilliance.

And then sell me a ticket.  I’d love to come along for the ride.

Jai tu Wai,

Debi